Katrina Lindsay

Katrina Lindsay is an Associate at the National.

At the National: Three SistersSmall Island, Mosquitoes, My Country; a work in progress, Dara, Behind the Beautiful Forevers, Table, The Magistrate, London Road and Death and the King’s Horseman (set and costume), The Lehman Trilogy, wonder.land and Earthquakes in London (costume); and Market Boy (set).

Other theatre as costume designer includes: Harry Potter and the Cursed Child (2018 Tony Award and 2017 Olivier Award for Outstanding Costume Design) in the West End, on Broadway, and in San Francisco and Melbourne; Hamlet at the Barbican; American Psycho at the Almeida and on Broadway; and Bend it Like Beckham (Olivier nomination) in the West End. Other set and costumes designs include Cabaret in the West End and on UK tour; The days run away like wild horses for Rambert; See Me Now at the Young Vic; The King Dances at Birmingham Royal Ballet; Porgy and Bess at Regent’s Park.

Opera as costume designer includes: Benvenuto Cellini at the English National Opera, Dutch National Opera, Opera National de Paris and Teatro dell’Opera di Roma; The Damnation of Faust at English National Opera, De Vlaamse Opera, Teatro Massimo, Palermo and Staatsoper Berlin; Eugene Onegin at the Royal Opera House, Opera Torino and Opera Australia; Turandot at the English National Opera; and Die tote stadt for Finnish National Opera and New National Theatre, Tokyo.

Designs for dance includes: The Most Incredible Thing, Eternal Damnation to Sancho and Sanchez and Blue Roses at Sadler’s Wells. 

London Road (production design)

– Tony for Costume Design (Les Liaisons Dangereuses)

– Outer Critics Circle for Costume Design (Les Liaisons Dangereuses)

– Drama Desk Award for Outstanding Costume Design (Les Liaisons Dangereuses)

– Arts Foundation Fellowship in Costume


(Published November 2019)