Pete Malkin

At the National: Death of England: Delory (co-sound designer), Death of England (co-sound designer)

Other theatre includes: There is a Light that Never Goes OutDeath of a Salesman and Twelfth Night at the Royal Exchange; The Cherry Orchard for Toneelgroep; Privacy at the Kilden Performing Arts Centre, Norway; The Unreturning for Frantic Assembly on UK tour; Pity and The Kid Stays in the Picture at the Royal Court; The Last Testament of Lillian Bilocca for UK City of Culture, Hull; The Seagull at the Lyric Hammersmith; Frogman for Curious Directive; White Bike at The Space; Schism for Aegis Productions; The Tempest at the Donmar; Beware of Pity for Complicité at Schaubühne; Treasure at the Finborough; Unearthed at the Arcola and on UK tour; 7–75at The Place; Am I Dead Yet? for Unlimited at the Bush; War Correspondents at Greenwich Festival and on UK tour; The Commission for the Royal Opera House, Aldeburgh and Opera North; Sun for National Art Service at St Leonard’s Church; Farragut North at Southwark Playhouse; and Space Junk for Gameshow at the Lyric Hammersmith.

As co-sound designer, work includes The Encounter for Complicité; and The Noise for Northern Stage and Unlimited.

As associate sound designer, work includes Harry Potter and the Cursed Child (original creative team) for Sonia Friedman Productions, in the West End, on Broadway, in San Francisco, in Hamburg and in Australia; 1984 for Headlong; Oresteia in the West End; Hamlet for the RSC; and LionboyThe Magic Flute and The Master and Margarita for Complicité.

The Encounter  – Tony, Drama Desk, Helpmann and Evening Standard awards for Best Sound Design, alongside Gareth Fry

(Published September 2020)