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Christopher Reid


For the National: Beginning (as an associate sound designer) and The Ocean at the End of the Lane

In London’s West End: The Inheritance (also at the Young Vic and on Broadway), as associate sound designer; Charles III (also on Broadway) and The AudienceSummer and SmokeMary StuartSkylight and Labour of Love, as Head of Sound; JerusalemHarry Potter and the Cursed ChildBilly Elliot the Musical and The Scottsboro Boys.

As sound designer, other productions include: Triple Threat at the Z, Virginia Beech; Hamlet for the Kenneth Branagh Theatre Company at RADA; Macbeth at the National Theatre of Scotland and on Japanese tour; Vincent River at the Old Red Lion; and PinocchioA Streetcar Named DesireThe Demon BarberTam O’ Shanter and Of Mice and Men at Perth Theatre.

Work as associate sound designer includes: The Jungle in New York and San Fransisco; Black Watch at the National Theatre of Scotland and on international Tour; Billy Elliot the Musical in Japan, South Korea and Australia; Series 3 Presentation at the Louis Vuitton Foundation, Paris.

As Head of Sound work includes: A Midsummer Night’s Dream at the Bridge; Glasgow Girls at Theatre Royal Stratford East; The Bee on international Tour; Vixen in Trento, Italy; and The Not-So Fatal Death of Grandpa Fredo at Societaetstheater Dresden, Germany


The Inheritance  Drama Desk Award, Tony and Olivier award nominations