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Pete Malkin


In London’s West End, as associate sound designer: Harry Potter and the Cursed Child (original creative team) (also on Broadway, in Hamburg, in Australia and in Japan) and Oresteia.

Other productions include: Let the Right One In, There Is a Light That Never Goes Out, Death of a Salesman and Twelfth Night at the Royal Exchange, Manchester; The Cherry Orchard for Toneelgroep, Amsterdam; Privacy at the Kilden Performing Arts Centre, Norway; The Unreturning for Frantic Assembly on UK tour; Pity and The Kid Stays in the Picture at the Royal Court; The Last Testament of Lillian Bilocca for UK City of Culture, Hull; The Seagull at the Lyric Hammersmith; The Tempest at the Donmar; Beware of Pity for Complicité at Schaubühne; Frogman for Curious Directive; White Bike at The Space; Schism for Aegis Productions; Am I Dead Yet? for Unlimited at the Bush; The Commission for the Royal Opera House, Aldeburgh and Opera North; and Farragut North at Southwark Playhouse.

As co-sound designer, work includes: The Encounter (Tony, Drama Desk, Helpmann and Evening Standard awards for Best Sound Design, alongside Gareth Fry) for Complicité; The Chairs at the Almeida; and The Noise for Northern Stage and Unlimited.

As associate sound designer, work includes: Harry Potter and the Cursed Child (original creative team) for Sonia Friedman Productions, in the West End, on Broadway, in Hamburg, in Australia and in Japan; 1984 for Headlong; Hamlet for the RSC; Lionboy, The Magic Flute and The Master and Margarita for Complicité.


(Updated September 2023)