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Max Perryment

For the National:


Productions include: Jitney for Headlong at the Old Vic; Sunset Shift for PoliNations; Corrina, Corrina for Headlong at Liverpool Everyman; Living Newspaper and Is God Is at the Royal Court; Romeo and Juliet at Shakespeare’s Globe; Miss Julie for Chester Storyhouse and on UK tour; Shipwreck at the Almeida; The Convert, In a Word and The Tide at the Young Vic; The Sweet Science of Bruising (also at Wilton’s Music Hall), Last of the Boys and Dear Brutus at Southwark Playhouse; The Rise and Fall of Little Voice at Park Theatre; Romeo and Julie and Utility at the Orange Tree; Twilight: Los Angeles, 1992 at the Gate, Notting Hill; Hair at the Vaults, Hope Mill, Manchester and on UK tour; Broken Dreams and Blood and Water at Kestrel Theatre: HMP Springhill and the Royal Court; Start Swimming at the Young Vic and Summerhall, Edinburgh; Replay (also at 59E59, New York) and Goodbear at Soho Theatre; Landmines at the BRIT School, Ovalhouse and the Otherplace, Brighton; Skin of the Teeth at the Vaults and Ophelia Theatre, New York; Nest at the ArtsDepot, Brighton Fringe and on UK tour; Dust at New York Theatre Workshop, Trafalgar Studios and Soho Theatre; and Rasheeda Speaking and A Guide for the Homesick at Trafalgar Studios.

One Woman Show on UK tour and in the West End.


Footsteps of Tagore.


7 Keys, David vs. Goliath, Buddy Goes to Nollywood and the short films The Everlasting Club, Ma’am and Waiting for Fukushima.


People Who Knew Me, Skyscraper Lullaby and The Half Life of Joshua Jones.


(Published May 2023)