Training

Mark Melville trained at Leeds College of Music.

Theatre

For the National Theatre: Ķīn (also UK and international tour)

Other theatre includes: Flight for Vox Motus and Edinburgh International Festival); Frankenstein, Wit and Birth at the Royal Exchange, Manchester; Human Animals, Violence and Son and God Bless the Child at the Royal Court; Yer Granny, Knives in Hens, Miracle Man, Empty, My Shrinking Life and Dragon (also Vox Motus) at the National Theatre of Scotland; Tomorrow (also Cena Contemporânea Festival, Brazil/Brighton Festival/Tramway), Saturday Night (also Teatro Nacional Sao Jao, Porto/Teatro San Luis) and Wonderland (also Napoli Teatro Festival/Edinburgh International Festival) at the Vanishing Point; 1984 at Emilia Romagna Teatro, Modena; Guards at the Taj and The Children at Theatre by the Lake; Where Do We Belong and Where Do We Stand? for Northern Stage; Little Gift for M6 Theatre and Andy Manley; Road at Leeds Playhouse; The Greatest Play in the History of the World for Tara Finney Productions; The Manchester Project at the Monkeywood and HOME Manchester; Charlie Sonata at the Lyceum, Edinburgh; The Destroyed Room for Vanishing Point and Battersea Arts Centre; Mister Holgado at the Unicorn; and The Crucible, A Tender Thing and Hamlet at Dukes Playhouse

Mark Melville’s work has been exhibited at the V&A Museum in London, the Prague Quadrennial Theatre Design Festival and the British Design for Theatre Exhibition.

He is also a frequent collaborator with director, Louie Ingham and a member of the Association of Sound Designers.

(Published January 2024.)