Training

Emma trained at The Central School of Speech and Drama and has been sound designing for Theatre since 2003. She was the Deputy Head of Sound at the Royal Court from 2002–2007.

Theatre 

In London’s West End: Walden, Emilia, Much Ado About Nothing, Equus and War Horse (as Associate)

Other productions include: Titus Andronicus at the RSC; Trouble in Butetown, The York Realist, Measure for Measure, Limehouse, Coriolanus, The Lady from the Sea, Berenice, Making Noise Quietly and The Recruiting Officer at the Donmar Warehouse; The Collaboration (also Broadway) Hamlet, Blood Wedding and See Me Now at the Young Vic; Coriolanus, The Effect and Julius Caesar for Sheffield Theatres; A Kind of People, That Face, My Name is Rachel Corrie and Superhoe at the Royal Court; Vassa and The Writer at the Almeida; The Country Wife, random/generations, The House That They Grew Up In and Forty Years On at Chichester; The Lion the Witch, Pornography and the Wardrobe and 101 Dalmations at Birmingham Rep; Sweet Charity at Nottingham Playhouse; Uncle Vanya at Hampstead; Ghosts and The Oresteia at HOME; A Christmas Carol (as Associate) at the Old Vic;

Awards

Emilia – Olivier Award for Best Sound Design

(Updated April 2023)