At the National: The Ocean at the End of the Lane, Common, Angels in America, Husbands & Sons, Evening at the Talk House, The Red Lion, Rules for Living, A Taste of Honey, Emil and the Detectives, Port, This House, The Curious Incident of the Dog in the Night-Time (also on Broadway and tour), 13, Season's Greetings, After the Dance, Women Beware Women, Our Class, All's Well That Ends Well, Death and the King's Horseman, Harper Regan, The Hothouse and Pillars of the Community.
In London's West End: This House, The Nether
On Broadway: The River
Other recent sound designs include: Europe, Elegy, Roots and The Weir at the Donmar; Small Island, Angels in America (also in New York), Translations, Husbands and Sons, Common, Evening at the Talk House, The Red Lion, Rules for Living, A Taste of Honey, Emil and the Detectives and Port at the National; Company at the Gielgud; True West at the Vaudeville; Hangmen at the Royal Court, Wyndham’s and in New York; Heisenberg at Wyndham’s; Fatherland at the Lyric Hammersmith and the Royal Exchange; The Lion, the Witch and the Wardrobe at West Yorkshire Playhouse; Junkyard at Bristol Old Vic; Fracked! at Chichester and on UK tour; Before I Leave in Cardiff; Before the Party, Uncle Vanya, Children’s Children and Mrs Klein at the Almeida; Love’s Sacrifice for the RSC; A Midsummer Night’s Dream, All My Sons and To Kill a Mockingbird at Regent’s Park; and The Machine in Manchester and New York.
Ian Dickinson has been with the Autograph Design Team since 2009, and before that was Head of Sound at the Royal Court, where he designed over 50 productions.