Adam Cork

Adam Cork mainly writes for the stage, incorporating sound design within his work to create integrated music and sound scores embracing instrumental music, electronic music and song.


For the National: Three Days in the Country, London Road, Danton's Death, Ph├Ędre, All's Well That Ends Well, Time and the Conways

For the RSC: Romeo and Juliet, The Tempest

In London's West End: Enron, Henry V, No Man's Land, A View from the Bridge, Six Characters in Search of an Author, Don Carlos, The Glass Menagerie, Ivanov

On Broadway: Enron, Red, Macbeth, Frost/Nixon, Hamlet

Other theatre includes: Richard II, A Streetcar Named Desire, Othello, The Chalk Gardnen, Creditors, The Wild Duck, Caligula, King Lear, The Last Days of Judas Iscariot, The Late Henry Moss, Faustus, Paradise Lost, The Cherry Orchard

Screen work

London Road, Genius, The Hollow Crown: Richard II, Macbeth, Frances Tuesday, Re-ignited, Imprints, Bust, Tripletake


Losing Rosalind, The Luneberg Variation, The Colonel-Bird, On the Ceiling


King Lear : Olivier Award, Evening Standard Award

Red : Tony Award

Enron : Tony nomination

Macbeth : Tony nomination

Frost/Nixon : Drama Desk nomination

Published July 2015