Jon Nicholls

For the National: ManorEast Is EastMy Brilliant Friend parts 1 and 2Spring StormBeyond the Horizon and The Holy Rosenbergs

In London's West End: OleannaTouching the VoidCaptain Corelli’s MandolinBakersfield Mist

Other music and sound scores for theatre include: Hamlet for the RSC; Breaking the Waves for Scottish Opera; The Mirror Crack’d at Wales Millennium Centre and NCPA Mumbai; Good Canary and Much Ado About Nothing at the Rose, Kingston; Bracken Moor and Mermaid for Shared Experience; The Master Builder and Richard III at Leeds Playhouse; Who’s Afraid of Virginia Woolf? at Sheffield Crucible; Pink Mist and Medea at Bristol Old Vic; Wonderland, Our Country’s Good and The Duchess of Malfi at Nottingham Playhouse; Idomeneus and Dear Elizabeth at the Gate, Notting Hill; The Norman Conquests at Liverpool Playhouse; Copenhagen, Betrayal, A Midsummer Night’s Dream, Driving Miss Daisy, Things We Do for Love, Betrayal, Christmas Eve, The Whale, The Model Apartment, The Mother, Trouble in Mind, Intimate Apparel and The Double at Theatre Royal Bath; Eden End, The Prime of Miss Jean Brodie and In Praise of Love at the Royal and Derngate; Wipers at Leicester Curve; Blue Remembered Hills, Art and Silas Marner at Theatr Clwyd.

VR work includes: The Turning Forest, The Turning World. 
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Jon Nicholls has written scores for documentaries for the BBC, ITV, Channel 4, Sky and Al Jazeera.

Jon Nicholls has created music and sound design for over 40 audio dramas and composed features. Most recent work includes Ballad of the BetThe Meaning of ZongLannyHenry IV part 1Ballad of the BladeBallad of the FixEarthseaBelovedHindu TimesThe Mother LoadBlack Diamonds and the Blue Brazil.

As an independent radio producer work includes: UnicornsAlmost, Water Towers of New York

(Published November 2021)