Christopher Akrill

Christopher Akrill

Christopher Akrill trained at Northern Ballet School. 

Christopher Akrill is Co-Artistic Director of award-winning company HeadSpaceDance. 

For the National: Hex (performer), Home, I'm Darling (assistant choreographer)

Other theatre and dance: To Kill a Mockingbird (Boo Radley) at Regent’s Park and the Barbican; Dr Dee at ENO; Waiting for Godot (Lucky) at BeMe theatre; The Hairy Ape at the Old Vic; The Expected for Rough Fiction; The Odyssey at Wilton’s Music Hall; The White Bike at The Space; The Most Incredible Thing at Sadler’s Wells; Stepmother/Stepfather and While You Are Here at The Place; Pinocchio (title role), Ghosts (Captain Alving), Three and Four QuartersIf Play Is Play and The Canticles at the Royal Opera House; Mats Ek’s Swan Lake (Prince Siegfried) at Cullberg Ballet; A Christmas Carol (Ebenezer Scrooge) and Romeo and Juliet at Northern Ballet Theatre; and Cabaret and The Wind in the Willows (Badger) in the West End. He has danced with Cullberg Ballet, Northern Ballet Theatre and Scottish Ballet, Düsseldorf and Hannover Balle; and, as choreographer, Mametz at National Theatre Wales and Imogen at Shakespeare’s Globe.

Lucky Man (season 3), TabooMr SelfridgePinocchio, A Christmas Carol

Romeo and JulietDaydreaming with Stanley KubrickThe Corridor, Little Grey FergieAbandonLondon RoadMuppets Most Wanted.

Christer Holgersons Award 

Riksteatern Award for Artistic Contributions and Excellence in Dance.


(Published December 2021)