Christopher Shutt

Christopher Shutt trained at Bristol Old Vic Theatre School

For the National: Twelfth Night, Here We Go, The Beaux’ Stratagem, Man and Superman, James I, James II, From Morning to Midnight, The Effect, Strange Interlude, Timon of Athens, War Horse, The White Guard, Burnt by the Sun, Every Good Boy Deserves Favour, Happy Days, Not About Nightingales, Machinal

For the RSC: Oppenheimer, Wendy and Peter Pan

In London's West End: The Winter’s Tale, Romeo and Juliet, The Entertainer, The Father

On Broadway: All My Sons, The Resistible Rise of Arturo Ui

Other theatre includes: Hamlet, Bull, Little Otik, The Bacchae, A Disappearing Number, The Elephant Vanishes, Mnemonic, Street of Crocodiles, Macbeth, Playboy of the Western World, All About My Mother, Saint Joan, Privacy, Philadelphia, Here I Come!, Piaf, Hecuba, The Man Who Had All the Luck, The Sewing Group, hang, Love and Information, Kin, Aunt Dan and Lemon, Serious Money, Road, Wild, The Seagull

Love and Information – New York Drama Desk and Lucille Lortel nominations

Mnemonic – New York Drama Desk Award for Outstanding Sound Design

Not About Nightingales – New York Drama Desk Award for Outstanding Sound Design

Coram Boy – Olivier nomination

War Horse – Tony and New York Drama Desk Award for Outstanding Sound Design; Olivier nomination

Piaf – Olivier nomination

Every Good Boy Deserves Favour – Olivier nomination

 

(Published February 2017)