Joyce Henderson

For the National:

The Importance of Being Earnest

Training

Joyce Henderson trained with Jacques Lecoq in Paris.

Theatre

For the National Theatre: The Importance of Being Earnest and Mother Courage and Her Children

In London’s West End: Medea (also on Broadway)

Other theatre includes: The Taming of the Shrew for the RSC; Bleak Expectations at the Criterion; Noises Off at Lyric Hammersmith and in the West End; Amédée at Birmingham Rep; King Lear at the Old Vic; The Cocktail Party and The Outsider for Print Room; King Lear at West Yorkshire Playhouse; The School for Scandal and Julius Caesar at the Barbican; and Grimm Tales at Leicester Haymarket; as performer, Making a Scene, The Prime of Miss Jean Brodie, Volpone and The Street of Crocodiles (with Complicité) at the National Theatre; Complicité Does A Level Drama and The Magic Flute for Complicité; Running Wild at Regent’s Park; The Cherry Orchard at Birmingham Rep; Much Ado About Nothing at Shakespeare’s Globe; Sherlock Holmes in Trouble at the Royal Exchange, Manchester; One Snowy Night at Chichester; Macbeth at Battersea Arts Centre; A Christmas Carol at Lyric Hammersmith; and Flight to Finland with The Right Size; and as director, The Frogs for Spymonkey

Opera

company movement for Le nozze di Figaro at Festival d’Aix-en-Provence; Between Worlds at ENO; and Dido and Aeneas for Wiener Festwochen at Opera Comique and DNO

Film

as performer, Benediction, Suffragette, The Queen and About a Boy

(Published November 2024)