Katrina Lindsay

Katrina Lindsay’s work covers set and costume design in theatre, dance, opera and television. She is an Associate of the National Theatre.

For the National include Lost Without Words, My Country; a work in progress, wonder.land (costume), Dara, Behind the Beautiful Forevers, Table, The Magistrate, London Road (Cottesloe and Olivier), Earthquakes in London (costume), Death and the King’s Horseman, Market Boy (set)

Recent RSC: All’s Well That Ends Well

Recent West End: Harry Potter and the Cursed Child (costumes), Cabaret, Bend It Like Beckham (costumes)

Other recent designs: Hamlet (costumes), The King Dances, Porgy and Bess, American Psycho, Benvenuto Cellini (costumes), The Damnation of Faust (costumes), Eugene Onegin (costumes), Turandot (costumes), Die Tote Stadt (costumes), The Most Incredible Thing, Eternal Damnation to Sancho and Sanchez, Blue Roses, Cattle


London Road (production designer)

2008 Tony, Outer Critics Circle and Drama Desk Awards for Outstanding Costume Design for Les Liaisons Dangereuses on Broadway.


In 2005 Katrina Lindsay was awarded an Arts Foundation Fellowship in Costume, and in 2009 she was asked to be a judge for the prestigious Linbury Prize for Theatre Design.



(Published March 2017)