National Theatre

Synopsis:

Dominic Sandbrook’s White Heat (subtitled A History of Britain in the Swinging Sixties) is a mesmerising piece of reportage -- detailed, authoritative and written with the kind of vividness that brings the period to vibrant life, both for those who lived through it, and for those to whom it is as remote as ancient history. And weighing in at nearly a thousand pages, it is as comprehensive as one could wish, dealing with revolutions in the arts (the Beatles, of course, are central -- and iconic -- figures here), as well as the relentless bloodletting in Northern Ireland, and political scandals in Westminster (the John Profumo/Christine Keeler affair being the most significant). The book quotes on it jackets Harold Wilson's much-repeated comment ‘Britain that is going to be forged in the white heat of this revolution’ -- and Sandbrook, taking his title from this quote, makes the strongest possible case for this being a revolutionary period -- even if several of the revolutions involved (such as the hippie-inspired ‘Summer of Love’) actually came to nothing. The changes in society during this period were seismic: cultural and political (as mentioned above), but also technological. In the sports arena, Britain featured a resounding World Cup triumph in 1966).