National Theatre

Synopsis:

Since his now famous appearance on the literary stage in 1968 novelist, playwright and poet, Peter Handke has remained on the forefront of the literary vanguard, having earned the praise and recognition of critics in Europe and North America alike. In fact, in a review essay of September 2000, "The New York Review of Books" called him "the premier prose stylist in the German language, and one of post-war Europe's most recognisable literary figures." Since the publication of his early theatrical works, Handke has gone on to publish over twenty-five prose novels, as well as additional works for the theatre, collections of poetry, diaries and essays.

His works have ranged in style from the French influenced nouveau roman of the late 1960s to works characteristic of the New Subjectivity movement in West Germany in the 1970s, while his novels and stories of the 1980s and 1990s exhibited a new-found appreciation for narrative and issues of storytelling. He has also published a series of polemical essays on the war in Yugoslavia which have been criticised severely by scholars and intellectuals. This collection of fourteen essays focuses both on the genres in which Handke has written, as well as on the thematic aspects of his work.