NT : Archive : Somerset Maugham Collection : Maugham Catalogue
Maugham Catalogue
The Maugham CatalogueFollowing a tip-off from the painter and collector Hugh Lane about the sale of a Samuel De Wilde theatrical painting, propped up amongst a lot of bric-a-brac in the window of a curio shop in Pimlico, ("They're only asking forty-five pounds for it, you're a dramatist, you ought to buy it.") Maugham began collecting in the years before the First World War. Some time later, at the sale of Sir Henry Irving's pictures at Christie's Maugham bought Zoffany's 'Venice Preserved' for £29, and a small version of Reynold's 'Garrick between Comedy and Tragedy'; both had been in the possession of Garrick. After this he bought steadily.
| Entry for painting by John Zoffany of David Garrick as Sir John Brute |
In 1948 Maugham presented his collection of theatrical paintings, generally reckoned to be the best of its kind with the exception of that of the Garrick Club, to the Trustees of the Shakespeare Memorial National Theatre Trust (SMNT), for eventual hanging at the National Theatre, which at this time was still no more than a concept. In 1951 the trustees of the SMNT arranged for the exhibition of the collection at the Victoria and Albert Museum
| I had spent so many years making it [the collection] that I was grieved to think that it would be dispersed at my death in Christie's auction rooms...The theatres they build now are severely functional... but they are cold. They are apt to make you feel that you have come to the playhouse to undergo an ordeal rather than to enjoy an entertainment. It seemed to me that my pictures in the foyer and on the stairs of a new theatre would a trifle mitigate the austerity of the architect's design. I offered them to the trustees of the National Theatre and they were good enough to accept them. Somerset Maugham |
The above comes from Maugham's introduction to the catalogue published in 1954 by Heinemann under the title The Artist and the Theatre. At this time the realisation of the concept of a National Theatre with the formation of the NT Board and the appointment of its first Director was still seven years away. The catalogue held in the NT Archive is one of four typescript catalogues with manuscript notes: a master and a working copy stayed with Mander and Mitchenson and a copy was given to Somerset Maugham.
The catalogue was prepared (1952-1954) by Raymond Mander and Joe Mitchenson, who later offered their own vast collection of theatre memorabilia to the National Theatre. The Raymond Mander and Joe Mitchenson Theatre Collection is now housed in the Old Royal Naval College in Greenwich. From the inception of the National in 1963 Mander and Mitchenson have provided source images and research for National Theatre programmes.
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